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08/04/00 nme 'on'
Imagine,
if you will, a band entirely stripped of ego. A band to whom magnanimity is
paramount; with pop star hubris vanquished and each - equally important -
member's ideas welcomed with open arms. It's the musician's dream; the pop
person's Oz and, for most, a situation about as viable as a good Geri Halliwell
single. Meet The Animalhouse.
Formed
in early-1998 by Mark Gardener, former singer and guitarist with indie
noise-pups Ride, and erstwhile Supergrass producer Sam Williams on guitar and
vocals, the collective (completed by purple-haired bassist Hari Teah,
keyboardist Jason King, and fellow Ride refugee, drummer Loz Colbert) have
turned the seemingly impossible into a reality.
"Nowadays,
bands seem limited to one singer, one ego and one person's ideas," muses
Sam. "The emotional range is so limited. What's ground-breaking about our
set-up is that everyone sings and writes, so there's a constant
cross-pollination of ideas. Everyone has equal input and we truly support each
other. You've got to go back to bands like The Beach Boys and The Beatles to
find anyone trying anything similar."
But
while The Animalhouse may appear closer in spirit to a hippy commune than any
pie'n'mash indie combo, their music betrays a far more forward-thinking outlook.
Their debut three-track single, 'Animal', embraced everything from shivery,
neon-lit pop-noir ('Sodium Glow') and pastoral atmospherics ('Essence') to the
beat-laden buzz of the title track. Current single 'Small', meanwhile, sounds
like Devo. As mixed by a mad monkey with a car alarm fetish. There's not, as you
may have gathered by now, a trace of Ride to be found.
"I
ended up feeling very constricted by Ride," frowns Mark. "It just
wasn't creative any more. By the end, I had very different ideas than Andy
(Bell, guitarist and recent addition to Oasis' ranks) about where I wanted it to
go. I wanted to move into new, more experimental areas while Andy was still into
the older stuff." "We're mixing reference points in the same way as a
DJ would mix records," continues Sam. "And there's no limit as to how
far you can take that." And what of that name? "It just seemed to have
a basic humanity about it, and reflected the nature of our collective. It's an
embracing term."
The
Animalhouse: open and ready for business.
Sarah
Dempster
and,
from the same issue of nme.....
small
review
('small' is...) An
unforgivable, creatively sterile collaboration between two ex-members of Ride,
the chap who produces Supergrass' records and two of their friends, The
Animalhouse arrive with the enviable reputation of being one of the worst live
bands NME has seen for some time. This is their second single and what it lacks
in flair, imagination and general competence it more than makes up for in its
uncanny resemblance to a Supergrass B-side. The second track is called,
irresistibly, 'What Happened To The Future?'. You make records like this, you
find out fast. "
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